moovies
So the other night, I watched The Assasination of Trotsky, as noted in that post down below somewhere. I don’t know why I was counting on a film that I knew would culminate in an ice pick to the skull to go down easy, but it ended up much more psychological than I expected. The first half hour or so was slow and/or confusing, and made me mad, but I stuck with it and it ended up just unsettling. Also, the assasin himself reminded me a lot of this kinda sleazy dude who hangs around the 61C Cafe all the time.
A couple nights ago I checked out Born In Flames, made by Lizzie Borden in 1983, about America post-”second American revolution.” It’s all about factions of women fighting oppression by men in a “peaceful, socialist” society. Dystopian, kinda campy, kinda poorly acted (they weren’t professionals, by choice), good soundtrack. The closing scene (***SPOILER ALERT***) was what fascinated and amused me: one of the women, more and more of whom are resorting to violent direct action after the apparent assassination of one of their own by the police, PLANTS A BOMB IN THE TALLER OF THE TWIN TOWERS AND BLOWS THE TOP OFF OF THE BUILDING.
As she prepared for this, and it became clear what was imminent, I said something like: “OH NO SHE DIDN’T.” Then when it actually happened — the dramatic final scene — I laughed because of how unaffecting it was. Surely at the time it was subversive, speculative, frightening. Now it seems like a weak blow. Is that the best they can bring? Back to the drawing board, Lizzie.
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