“The cinema is always as perfect as it can be”

The opening of a Godard film is always cause for celebration. Back when he actually liked Godard, Roger Ebert called this one “one of his most successful films, and, incidentally, one easier to understand and enjoy than his later work.” Here’s a description via Pittsburgh Filmmakers’ July calendar:

Godard’s potent antiwar film from the ’60s is the surreal tale of two moronic mercenaries who leave their wives and travel the world in service to the “King.” There’s a grotesque humor throughout the film, emphasizing the idiocy of war, yet its premise is as relevant as ever. We find Godard playing mischievously here with images and ideas, and his favorite themes, such as the destructiveness of capitalism. Full of the innovative editing techniques and intellectual vigor for which Godard is best known. With subtitles. (Jean-Luc Godard; France; 1963; 99 min)

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